Thoughts on large-scale writing/revisions
Apr. 2nd, 2008 02:23 pm(As promised to
shaelise)
First, thank you for all your responses, suggestions, etc. Some excellent ideas that I am combing through with all my eyes open. I really, really appreciate it.
Okay, so here are a few preliminary thoughts:
meredith_wood's April 1 post talks about not making excuses for your characters. To let them be real, you have to stop shielding them from their own mistakes. (This is with regards to Jo Knowles's book Lessons from a Dead Girl, which I haven't read.)
Meredith also talks about the difference between the craft of writing, and storytelling, which brings me to my next observation: I think one element of the border between almost-there and there is that the advanced writer has control of the prose but is perhaps struggling with the story elements. Maybe the stakes aren't high enough. Maybe it takes too long at the beginning for the action to actually start. Maybe the events of the plot aren't personal enough to the MC to make the story stick for the reader.
There's a lot out there on improving the tangible, objective parts--getting rid of all those horrible, weak adverbs in favor of strong nouns and verbs. And that makes a big difference! But I think I need to learn more about that more nebulous part, the growing of the character (or at least, bringing the character that is alive to you out in such a way that your readers see that, too.)

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First, thank you for all your responses, suggestions, etc. Some excellent ideas that I am combing through with all my eyes open. I really, really appreciate it.
Okay, so here are a few preliminary thoughts:
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Meredith also talks about the difference between the craft of writing, and storytelling, which brings me to my next observation: I think one element of the border between almost-there and there is that the advanced writer has control of the prose but is perhaps struggling with the story elements. Maybe the stakes aren't high enough. Maybe it takes too long at the beginning for the action to actually start. Maybe the events of the plot aren't personal enough to the MC to make the story stick for the reader.
There's a lot out there on improving the tangible, objective parts--getting rid of all those horrible, weak adverbs in favor of strong nouns and verbs. And that makes a big difference! But I think I need to learn more about that more nebulous part, the growing of the character (or at least, bringing the character that is alive to you out in such a way that your readers see that, too.)