
Still trying to puzzle out the emotional connection thing. I've done some serious chopping in my first chapter--hopefully this helps. I said before that I thought it was a writing problem, but something less easily-identified than adverbs and "she felt sad." I'm brainstorming for ways to make that emotional connection stronger. Don't know if any of these work yet, but maybe they at least won't make it worse. Some of these are from other people's comments; I certainly don't claim them to be all my original ideas. Feel free to add to the list.
1. Avoid excessive reliance on sight descriptions, to the exclusion of the other senses.
2. Use more specifics as opposed to generalities. (Think of Cheryl Klein's use of specific details, even in her blog.)
3. Avoid letting too much time pass before something significant happens. Keeping the pacing tight heightens the tension (or so Elizabeth says, and I'm sure she's right!)
4. Not sure how to avoid this problem, but sometimes I think it can be a problem if you start with something that's supposed to be emotional, only the reader has nothing to compare it to, so it doesn't have the intended effect. This example is from later in the book, but in Dairy Queen, the author does a great job of throwing out questions and hints while waiting until the ripest moment possible to explain why the family doesn't talk. I'd like to figure out how to do this in a beginning-of-the-book scenario. Leave more unanswered questions at the beginning, especially of an emotional nature? Immerse the reader into a situation where the character acts and has to make hard choices early on? And the emotion happens as the plot plunges forward?
I'm open to more ideas.